Limited indie-only clear vinyl
Songs created in the shadow of terror and loss, but that crackle and pop with defiance
Fear Fear is a record made for agitating and dancing, for heart and soul, for here, now
and tomorrow. It’s a record that explores juxtaposition; that of life and death,
acceptance and isolation, environment and humanity, hope and despair, the real
world and the digital world. That top to bottom rigour, the complete vision is what
makes the second album from Working Men’s Club such a stunning and unique
achievement.
Their critically acclaimed self-titled debut album, released in summer 2020, was the
sound of singer and songwriter Syd Minsky-Sargeant processing a teenage life in
Todmorden in the Upper Calder Valley. He was 16 when he wrote some of those
songs, now 20, he had to get up and out of the Valley. “The first album was mostly a
personal documentation lyrically, this is a blur between personal and a third-person
perspective of what was going on.” Fear Fear documents the last two years. Yes, there
is bleakness – but there is also hope and empathy. “I like the contrast of it being
happy, uplifting music and really dark lyrics. It’s not a minimal record, certainly
compared to the first one. That’s because there’s been a lot more going on that
needed to be said.”
Making the busy feel finessed and the dreadful feel magical – Fear Fear manages
those feats, and then some. Or, as Syd Minksy-Sargeant puts it: “We just set out to
make the best-sounding album we could.”
Fear Fear was produced by Ross Orton (Arctic Monkeys, MIA, Tricky) and recorded at
Orton’s studio in Sheffield.
